Art as Magic
Source: Collingwood’s Aesthetics (Stanford Encyclopedia of Philosophy)
Definition of Magic
Magic is the ritualized representation of useful emotion, not for the sake of catharsis, but for the practical value of the emotion.
It is neither “bad science” (false beliefs) nor a “neurosis” (wish-fulfillment). Instead, it is a tool for the practical reinforcement of emotions necessary for a healthy society.
Distinctions from Other Theories
| Theory | View of Magic | Collingwood’s Critique |
|---|---|---|
| Magic-as-bad-science | Superstitious false beliefs (e.g., rain dancing increases rain probability). | This is a “perversion” of magic; the true effect is reinforcing hope/hard work during drought. |
| Freudian Theory | Neurosis or omnipotent wish-fulfillment. | Fails to account for the practical value and vital role magic plays in a healthy society. |
The "True" Magical Effect
The value of a magic ritual (like a war-dance) is in its results: it instills courage in the participants and frightens the enemy. It is a practical utility of emotion captured through ritual.
Examples of Magical Phenomena
Our societies are replete with magical rituals that reinforce shared values and individual resolve:
- Religion & Patriotism
- Sport & Social Customs
- Dinner Parties & Weddings
- Funerals & Dances
See also: Modern Theories of Play, Nataraja

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